" The Weary Blues" and " Lenox Method: Midnight" by Langston Hughes are two poems drafted as views of downtown life. Even though these poetry were drafted more than 60 to 70 years ago, it can be surprising to find out some general similarities that they share with current day city existence. Dilluted down with word play and irrelevant lines such as " And the gods are having a laugh at us. ", the root theme is usually evidently city life. " The Careful Blues" and " Lenox Avenue: Midnight" approach the overall topic of urban life from two different aspects likewise.
" The Weary Blues" talks of a person hearing a Negro playing the doldrums on a keyboard " Down on Lenox Avenue the other night, ". The poem is focused around this function, explaining " He did a sluggish swayВ…He would a lazy swayВ…" It would appear that Hughes was addressing the common link of Negro's, urban life, as well as the blues music seventy in years past; quite a several approach than his various other work.
" Lenox Opportunity: Midnight", my personal favorite of the two, is more of your outlook on urban your life back then, saying that " The Rhythm of life/ Is a jazzy rhythm, ". There is a great uneasy interconnection between city life alone and the doldrums music that was thus common in that time in that urban lifestyle itself can be nothing but the blues and that " the gods happen to be laughing your way. "
" Lenox Avenue: Midnight" is a more meaningful poem, reaching out to anyone that could connect. In a way this relates to modern day hip-hop in the sense of calling the common persons of that traditions and period. " The Weary Blues" on the other hand is more of an observation thing going on in the poem, observing the Negro man playing the blues on his piano. The poems not directly relate to modern day city existence. Instead of the doldrums, hip-hop offers taken it is place. As an example, " The Weary Blues" speaks of any Negro person playing the blues more than a piano. Currently in town life you'd probably instead find an inner city junior of virtually any race freestyling or rapping to a more hip-hop groove. Considering record only repeats...