Continuity and Change from The Darker Ages Throughout the Enlightenment and Beyond Composition

п»їBrittany Barna

M. Khan

HUM2230

seventeen June 2014

Continuity and alter from The Dark Ages Throughout the Enlightenment and Beyond

We, the human competition, have always transferred forward while using changing occasions. As we gain knowledge through education and also other means we come across this reflected in our thought process and the west. These alterations are described and conserved through artwork. Starting in the dark times during the the Medieval period, we can see two art forms in particular, artwork and statue, change even as move through the Renaissance period and on in the Baroque period, by way of the launch of mathematic concepts and new methods, as well as the introduction of even more secular art works. Starting with Ancient paintings, such as Cimbaue's interpretation of Pop-queen Enthroned, we come across the same face expression repeatedly, illustrated in fairly flat colors. It truly is mostly one-dimensional, there is very little light, shade providing or comparison, and this greatly does not have dramatic result. This was accurate of most performs of the time. Art of the Renaissance built upon that which began in the Middle Ages. Light was more prevalent and was used nicely to focus the viewer eyesight and attract them into the work. Nicer colors and contrast had been used producing paintings even more dramatic. Tactics of point of view, introduced by Giotto and built upon by Masaccio and others, as well as light and dark covering began to offer images dimensions and realism. These new techniques will be prevalent in Giotto's Representation of Madonna Enthroned. There was clearly a push from entirely religious paintings to even more secular works and time-honored themes, which includes nudes, had been re-introduced during this period as well. As we move from the Renaissance through to the Baroque period, images build more after what was already seen. Colours become nicer and more different. The artist works actually harder to draw the viewer in through extravagant settings, creative use of lumination, more strong emotions, etc . The main concept of the the...

Mentioned: Fiero, Elegancia K. The Humanistic Custom, Fifth Model: Book(s) two, 3, 5. New York, BIG APPLE: McGraw-Hill, 2006.

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